Monsieur Ibrahim et les fleurs du Coran

flitteres hatost a filmnek, flitteres tizest omarseriffnek, a kissrácnak meg, nemistudom, talán szintén tizest. megdöbbentően emberi, édes, aranyos, és kedves film. szeretnivaló nagyon

Q: What was your first impression upon reading the script?
OS: I was moved, touched and carried away by this script. I loved the theme, it interests me at this point in history. I wanted to get involved in this. I am not at all politically active. My son married a Jew, then a Catholic, and then a Muslim. That should tell you that I am open to all religions. But I have to say that for me this film is not religiously or even politically engaged. What I liked is that it was a love story, a film about humans, about exchanges. To me the fact that one of them is Jewish and the other Muslim is incidental, the relationship would be the same. This greengrocer that philosophizes without realizing it, is a man full of common sense, a kind of sage. The boy, Momo, to whom nobody has ever spoken, who never communicates with anyone, finds in Ibrahim a guy whose sayings make no sense to him in the beginning, but when he thinks about them, he realizes that he is not idiotic at all. He finds Ibrahim's deeds beautiful, so he concludes that what he says is also beautiful. He learns to trust him.